Orange Terror Stamp shape tones

Описание

This is a test of the shape tone control on the Orange Terror Stamp. I just used the guitar's pickup selector and tone control to cut some top end, as I was moving the Stamp tone control. I started with the Stamp gain on nearly 8 and the Shape on 3. I played some on each division of the shape control, until it sounded too 'toppy', then switched to the neck pickup and added some guitar's tone cut as I moved to the 11th position.

0:00 start bridge pu on Farida RP12 'shape' on 3
1:09 1st tone change, 1:30 2nd tone change, 1:47 3rd tone change, 2:03 4th,
2:13 5th with neck pickup, 2:27 6th, 2:36 7th, 2:46 8th, 2:53 9th, 3:04 10th, 3:16 11th, 3:29, 3:55, 4:08, 4:14,
4:27 position 11, 4:40, 4:48, 4:53, 5:16, 5:22,
5:32, 5:37 these are the extremes on the 'shape' range
5:44, 6:08, 6:23, 6:51,
6:58, I think this is position 1, quieter with less lows than pos 3
8:00 the start setting neck pu with tone rolled off
8:28 the start setting again, bridge pu

The Stamp send was into a Zoom MS5G hall reverb, then into a Roland Microcube on 'clean', and recorded on a Zoom H2n. I added some audio gaps in a DAW to make the shape ton changes more obvious. I also added a -4dB @ 3k, and -2dB
@ 10k, notches to tame a couple of resonant peaks, and added a 2 octave 3.5dB @ 1.5k boost and a -5.5 dB @ 5.5k shelf to approximate a guitar speaker and the sound I could hear in the room.