Using the Slonimsky Thesaurus of Scales and Melodic Patterns ep2 - ex 2 - C D F# G#

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So you can make scales out of these, or COMPOSE with them, which I think is the real intention of the book.
In this example I use nothing but C D F# and G# in various octaves, combinations and textures. Starts with long flowing piano line, then lead synth , then bass, straight 4/4 drums. The break consists is 7/8 with long bass, "chords" on piano, and a lead synth line.